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Washington, DC Poetry Tour November 19, 2009

Washington, DC Poetry Tour

Our nation’s capital through the eyes of its great poets.

(Courtesy of the Poetry Foundation)

http://www.poetryfoundation.org/journal/article.html?id=238226

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NEWS FROM POETRY FOUNDATION

FOR IMMEDIATE RELEASE November 19, 2009

Poetry Foundation Launches Poetry Tour of Washington, DC

Free downloadable audio tour shines a literary light on the nation’s capital.

CHICAGO-The Poetry Foundation is pleased to announce the launch of the Washington, DC, Poetry Tour. The interactive tour, freely available at http://www.poetryfoundation.org/poetrytour <http://thepoetryfoundation.createsend3.com/t/r/l/huhudj/l/r> , reveals our nation’s capital through the eyes of its great poets, including Walt Whitman, Paul Laurence Dunbar, and Elizabeth Bishop, among many others. From the hallowed halls of the federal buildings to neighborhood side streets, the tour features poems written in and about DC, as well as original photographs by poet Thomas Sayers Ellis.

Narrator and inaugural poet Elizabeth Alexander leads the tour from the stacks of the Library of Congress to Civil War battlefields to the Capitol steps, from the National Zoo to the U Street Corridor to the Busboys & Poets Café. Archival recordings from canonical poets including Langston Hughes, Robert Hayden, Sterling Brown, Randall Jarrell, and Ezra Pound chronicle DC’s rich literary history, while contemporary poets such as Linda Pastan, Quique Avilés, Yusef Komunyakaa, Naomi Ayala, A.B. Spellman, and Jane Shore share their experiences, through both poetry and commentary, of national monuments and monumental poets alike.

The DC Poetry Tour presents the development of the capital’s poetry scene over the last century and a half, from its interplay with musicians Dizzy Gillespie, Duke Ellington, and Ben Webster, to the creation of the office of poet laureate, to the legendary literary salons hosted by Georgia Douglas Johnson, to the multifaceted work of numerous poet-activist groups. Local poets and scholars-including E. Ethelbert Miller, director of the Afro-American Studies Resource Center at Howard University; David Gewanter of Georgetown University; and Kim Roberts, editor of Beltway magazine-provide the framework for understanding the moments and movements that have shaped DC’s literary culture.

Listeners to the tour, which includes 34 stops throughout the National Mall and Northwest DC, learn that Washington is not only our government’s headquarters but an important American literary capital as well. Historical images and artifacts provide a glimpse into DC’s storied past, while photographs by poet Thomas Sayers Ellis, who was born and raised in Washington, give viewers an inside look at DC’s neighborhoods and people. Poem text is presented along with original audio recordings and archival images, as listeners step into the national arenas that continue to inspire poets today.

“Tracing the history of American poetry against the culture and geography of our national capital helps readers develop a better sense of our shared literary heritage,” notes Anne Halsey, media director of the Poetry Foundation. “Poetry lovers visiting Washington can download free audio tours and maps to take guided poetry walking tours of the National Mall or Northwest DC-but you don’t have to be in DC to explore the city’s literary history. The full multimedia tour can also be experienced virtually at poetryfoundation.org/poetrytour.”

Beginning at the Library of Congress-the home of the first Poetry Consultant, Archibald MacLeish-the tour discusses the contributions of such heralded poets as Robert Lowell, Robert Frost, and William Carlos Williams. MacLeish declares, “A poem should not mean / But be.” Later, Williams fashions a modernist American poetry: “Never reverse a phrase that is your language as you speak it . . . Then you’ve started to create a culture in your place as you are.”

Contemporary poets from throughout the Beltway also present poems. Poets such as Brian Gilmore, who relates his personal interest in Paul Laurence Dunbar, and Myra Sklarew, who discusses May Miller, recognize the influence of their predecessors, reflecting upon them as President John F. Kennedy did when he spoke of Robert Frost: “Our national strength matters; but the spirit which informs and controls our strength matters just as much. This was the special significance of Robert Frost.”

The Washington, DC, Poetry Tour, an original production of the Poetry Foundation created in collaboration with Tierra Innovation, was written and produced by Curtis Fox. Special collaborators on the project include Grace Cavalieri, Katie Davis, Patricia Gray, E. Ethelbert Miller, and Beltway magazine editor Kim Roberts.

For more information, go to http://www.poetryfoundation.org/poetrytour <http://thepoetryfoundation.createsend3.com/t/r/l/huhudj/l/y>

 

Politics, Poetry and Prose?: On Inaugural Poet, Elizabeth Alexander January 22, 2009

 

Elizabeth Alexander, Inaugural Poet

Elizabeth Alexander, Inaugural Poet for Barack Obama

Alexander’s “say it plain” delivery impelled varied responses.

 

“She can’t read as well as Maya Angelou.”

 

“The highlight of the Inauguration!”

 

“That’s not poetry. That’s prose.”

 

Alexander, mother, professor, poet, created her space:

 

All about us is noise. All about us is

noise and bramble, thorn and din, each

one of our ancestors on our tongues.

 

To have the opportunity to be the vehicle, the body through which words that will forever define this day come. To be alive in a moment like ours. Ours. Yes, Mrs. Elizabeth Alexander spoke it painstakingly slow and without performance. Yet, her paced, deliberate speech caused me to believe she meant every word. She respects the duties, the struggle, and the perspective of every person in her poem:

 

A woman and her son wait for the bus.

A farmer considers the changing sky.

A teachers says, Take out your pencils. Begin.

 

The message was not to be rushed or missed in a culture’s rhythm. This was a new nation’s poem. A young nation experiencing growing pains because somehow on this day, we’re acknowledging (and maybe even listening to) all the voices, the dead voices, the varied voices, the hopeful voices, the knowing voices, and the lost voices that resonate within its post-pubescent throat. The gravity of Barack Obama’s Inauguration alone is reason to speak calmly, speak slowly, but by all means, to speak. But before all this necessary speaking and action to bring our nation to the fruition of its responsibilities and accountabilities as a maturing nation, can we be reflective and even nostalgic at times, for its childhood? Can we allow ourselves the time to stop performing, but to pause briefly in between words, images, and history to consider if “the mightiest word is love?”

 

Our nation’s tomorrow requires less talking paired with device and more deliberation complemented by deliberate action and heart.  Elizabeth Alexander’s Praise Song for the Day stirs up this calm call to reflect in order to move, in order to pause deliberately in between device to let the mightiest word, love, fill in the all the undefined spaces.

 

Read the Complete Text of Elizabeth Alexander’s Inaugural Poem at: http://www.msnbc.msn.com/id/28755895/

 

Learn more about Elizabeth Alexander at: http://elizabethalexander.net/index.html